If the “Wonder Woman” and “Aquaman” movies represented DC Comics’ first big-screen steps away from the austere color palette of the Zack Snyder movies, “Shazam!” takes us deep into primary colors in a single bound. There’s still a touch of urban decay and kitchen-table warmth on display — this is by no means Warren Beatty’s “Dick Tracy” or a candy-colored Cartoon Network production — but this new DC entry has a lovely lightness, both in the visuals and in its tone.
Before the 1940s serials and the 1970s Saturday-morning TV show, “Shazam!” was born in a magazine called Whiz Comics, published by Fawcett and later acquired by the company that would be known as DC Comics. (Of course, the character used to be called Captain Marvel, but that’s a long story.) And to use a 1940s expression, there’s a gee-whiz ebullience to the movie that makes it stand out among the last several decades’ worth of caped crusaders.
Young Billy Batson (Asher Angel, “Andi Mack”) has spent most of his childhood escaping foster homes in the hopes of finding his mother (Caroline Palmer); as a 4-year-old, Billy got lost at a carnival and never found her again, although he’s sure she’s still looking for him. So when a new set of foster parents take him in, he’s got one eye on the door, even though everyone seems really nice, particularly Freddy (Jack Dylan Grazer, “It”), a Superman fan who’s never without a quip or the crutch that helps him walk. (“You look at me and you think, ‘Why so dark? Disabled foster kid, you got it all.'”)
Everything changes when the wizard Shazam (Djimon Hounsou) summons Billy and gives him the power to transform into a superhero who will protect Earth against the Seven Deadly Sins. When Billy says, “Shazam!” he is transformed by a bolt of lightning, magically imbued with the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury. And while Billy and Freddy try to figure out how these powers work — even when he changes from little kid into strapping Zachary Levi, the new Shazam is still immature Billy inside, the wisdom of Solomon or no — Shazam’s appearance stokes the fury of Dr. Thaddeus Sivana (Mark Strong).
Sivana, as a young boy, was himself summoned by Shazam to the Rock of Eternity before the wizard rejected him as unworthy, leading Sivana to spend his life trying to return. Over the years, Sivana realizes that Shazam turned away hundreds of candidates, only finally selecting Billy out of desperation. But since Sivana is greedy and venal, and burdened with daddy issues of his own, he’s easy pickings for those Seven Deadly Sins, who possess him and force him to do their bidding.
Confronted by Sivana, who wants the Shazam powers for himself, Billy/Shazam’s first instinct is to hide and run away. But when Sivana comes after his new foster family, will Billy figure out how to be a hero and also how to depend on others for love and support? The answer to these questions won’t shock you, but “Shazam!” does offer some surprises along the way. Critics on Twitter have compared this movie to both “Shoplifters” and “Meet the Robinsons,” and they aren’t wrong. The way that Billy resolves his own issues regarding family as well as the larger crisis of the end of the world makes sense in the context of the script (by Henry Gayden, “Earth to Echo,” from a story by Gayden and Darren Lemke, “Goosebumps”) while also honoring the original comics by Bill Parker and C.C. Beck, who very quickly gave Billy a cadre of co-heroes known as the Marvel Family.
Fans of those comics might not recognize this Sivana, much taller and more handsome than the creepy mad scientist of the original, and even though “Shazam!” doesn’t give us any talking tigers, there are some hints that one of the series’ most ridiculous yet most beloved villains will be popping up in future installments. (As always for movies like this, it’s a good idea to stay through the credits.) What’s most important is that the movie does capture the original comics’ combination of breezy heroism and nutty plotting, transferred from the 1940s to the modern era with great skill.
An old hand at horror, director David F. Sandberg (“Annabelle: Creation,” “Lights Out”) does throw in a few scenes that are too dark for the otherwise amiable tone of “Shazam!” And when we finally see the Seven Deadly Sins, they look like the kind of bargain-basement CG creatures that you get when a game on your phone shows you an ad for a different game that you would never want to play. But neither of these problems inflicts much damage. The cast is consistently sharp, with Grazer, in particular, managing great chemistry with both versions of Billy. Levi’s body language is constantly inventive, as he plays a tween who still isn’t used to a grown man’s body, let alone a superhero’s. (And yes, Gayden even throws in a gag to acknowledge the fact that we’re all thinking about “Big.”)
It’s worth highlighting Leah Butler’s costume design; her Shazam costume is great — on paper, the character had one of the weirdest capes in all the comics, but she’s managed to turn it into something more along the lines of a hoodie — while the family of foster kids all wear outfits that convey distinct personalities but still look appropriately like they’ve been curated with love and care at a Goodwill.
One of the delights of DC Comics over the years is that the unlikeliest characters can bump up against each other; you can stick Batman on the same page with The Phantom Stranger, Amethyst of Gemworld, the Doom Patrol and Rip Hunter, Time Master, and somehow they all fit. As the company’s films move in the same direction, it will be interesting to see how well “Shazam!” will play with his super-peers. I'm going to give "Shazam" a 9 out of 10.